"[12] With a then-unprecedented production budget of $12 million, Rodgers & Hammerstein's Cinderella is one of the most expensive television films ever made;[21][62] some media publications dubbed the program "the most expensive two hours ever produced for television. Home video promotional poster, featuring Houston and Brandy as their respective characters. [52], "Falling in Love With Love", which Rodgers wrote with lyricist Lorenz Hart for the musical The Boys from Syracuse (1938), was adapted into a song for Cinderella's stepmother, a character who seldom sings or expresses her innermost feelings in previous adaptations of the fairy tale. "[25] Tesema credits its ethnic diversity with making the film as "enchanting" as it is, continuing that the production "invites you to accept these [characters' races] as just the way they are for a little over an hour and it's a beautiful phenomenon". [90] The network also aired "Cinderella"-themed episodes of Brandy's sitcom Moesha and the sitcom Sister, Sister in commemoration. [66], The film's costumes were designed by Ellen Mirojnick, who aspired towards making them "both funny and stylish" in appearance. [29] Writing for Nylon, Taylor Bryant called the film both "An Underrated Classic" and "One of the most important moments in [film] history". [42] Describing herself as familiar with the "flavor" of Rodgers and Hammerstein's material, Houston opted to perform their songs simply as opposed to her signature pop, R&B or gospel approach. [37] Rodgers & Hammerstein's Cinderella premiered on October 13, 1997 at Mann's Chinese Theatre,[75] which Houston attended with her husband and daughter. By the time the film was greenlit by Disney for ABC, Houston felt that she had outgrown the title role, which she offered to Brandy instead. [16] Instead of making each character more modern, Zadan opted to "contemporize the qualities of the characters" instead. [19][24][25] Houston believed that Brandy possessed the energy and "wonder" to play Cinderella convincingly, admitting that their fictional relationship as godmother and goddaughter translates "well on-screen because it starts from real life";[4] when Houston telephoned Brandy to offer her the role, she introduced herself as her fairy godmother. [50] Disney CEO Michael Eisner introduced the program. While most reviewers praised the film's costumes, sets and supporting cast, particularly Peters, Alexander and Goldberg, television critics were divided over Brandy and Houston's performances, as well as Disney's more feminist approach to Brandy's character. Brand new: Lowest price. [47] Meanwhile, the royal family wears different shades of purple, a color often associated with royalty. Synopsis: After her marriage to a wealthy businessman (Alec Baldwin) collapses, New York socialite Jasmine (Cate Blanchett) flees to San Francisco. Now, the 1997 live action remake of Cinderella, starring Brandy and Whitney Houston, is finally available for streaming, thanks to Disney+. [90] Essence's Deena Campbell credited the singer with "inspiring other young girls to be Black Cinderellas". [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. @@ Cinderlla Movie | Cinderella in HD 1080p, Watch Cinderella in HD, Watch Cinderella Online, Cinderella Full Movie, Watch Cinderella Full Movie Free Online Streaming @@ Martmovie0006 2:40 Following the success of the 1993 television adaptation of the stage musical Gypsy (1959), Houston approached Gypsy's producers Craig Zadan and Neil Meron about starring in a remake of Rodgers & Hammerstein's Cinderella for CBS. + $7.00 Shipping. [8] The telecast was remade in 1965 starring Lesley Ann Warren,[9][10][11] airing annually on CBS from 1965 to 1972. [74] One of ABC's promotional advertisements for Rodgers & Hammerstein's Cinderella featured a black-and-white scene from the original 1957 broadcast in which Andrews sings "In My Own Little Corner", which transitions into Brandy singing her more contemporary rendition of the same song, its "funkier orchestration" sounding particularly noticeable opposite Andrews' original. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. ", "How Brandy's 'Never Say Never' Invented 'The Vocal Bible', "Keke Palmer will play first black Cinderella on Broadway", "Keke Palmer to be Broadway's first black Cinderella", "Will Cinderella's Keke Palmer Return to Broadway? [4] The studio originally planned to release an original soundtrack featuring the film's music. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. [27] Principal photography began on June 23, 1997 and was completed over a 28-day period,[13][17][60][61] primarily on stages 22 and 26 at Sony Picture Studios in Culver City, California,[35] which had been the location of MGM Studios during what is now revered as "the golden age of the movie musical. [70] However, the actress insisted that the film's queen should wear real jewelry instead and personally contacted jeweler Harry Winston to lend the production millions of dollars worth of jewels,[36] which ultimately included a 70-carat diamond ring and a necklace worth $9 million and $2.5 million, respectively. [14] The network grew disinterested in favor of other titles by 1996,[18] while Houston herself was already committed to several other projects. [70] Winston supplied the set with three armed guards to ensure that the jewelry remained protected at all times and was safely returned at the end of filming. [21] Hoping to relaunch the series using "a big event", Disney CEO Michael Eisner approached Zadan and Meron about potential television projects; the producers suggested Houston's Cinderella, which Eisner green-lit immediately. "[49] According to Paller, the screening resembled a Broadway tryout more than a film preview since the audience reportedly applauded at the end of every song. Although mistreated by her cruel stepmother and stepsisters, Cinderella is able to attend the royal ball through the help of a fairy godmother. NEW Barbie as Cinderella 1997 Doll box missing but never removed from cardboard. [37] According to Entertainment Weekly contributor Mary Sollosi, none of the script's dialogue requires that any of its cast or characters be white,[43] with the film also lacking references to the races or ethnicities of the characters whatsoever. It was the 5th most popular movie at the British box office in 1951. [16] The Rodgers & Hammerstein Organization allowed the filmmakers an unusual amount of freedom to modify the musical's script, among these changes making Cinderella a more active heroine;[37] Meron credits Freedman with "giv[ing] her a little bit more of a backbone", ultimately developing the character into a more independent woman. #9. "[12] Towards the end of filming, the producers realized that they did not have enough money to pay for extras and additional costs, and Disney refused to loan any more money to the production. [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. "[16] Kelsie Gibson of PopSugar wrote that the film is superior to Disney's other princess-themed offerings from the 1990s. In addition to Cinderella herself, Mirojnick costumed all female guests attending the prince's ball in various shades of blue, ranging from aqua to sapphire;[49] Meron believes that Mirojnick's use of color in the characters' costumes distracts from the various skin colors of the film's actors. [17][19] Zadan explained that, because of her popularity, Houston "had so many other concrete things that she was doing that 'Cinderella' took a back seat". Using all the gifts I've been given as an advocate, philanthropist, photographer, and author, I bring more than twenty years of leadership, fiscal accountability, stewardship, communication, and . The Stork Club . At the ball, she falls for handsome Prince Christopher (Paolo Montalban . [102], Teresa Talerico, writing for Common Sense Media, praised the film's costumes, sets and musical numbers while lauding Peters, Goldberg and Houston's performances, but found the choreography stiff. Cinderella (Signature Edition) (10,859) 7.3 1 h 14 min 1950 X-Ray G. Beloved by generations of fans, Disney's timeless classic Cinderella is now part of the Walt Disney Signature Collection and the prestigious National Film Registry. "I auditioned some 7,000 times for Cinderella ," James jokingly recalled to The Hindu in 2020. [36] According to Peters, the song demonstrates her character's disappointment in her own life, exploring why she has grown so embittered and jealous of Cinderella. has two spoilt daughters of her own. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. [65] By February 1999, the video had sold more than two million copies. The Prince returns to the palace, where he is apprehended by his valet Lionel for once again visiting the kingdom disguised as a commoner, and learns that his parents, Queen Constantina and King Maximillian, plan to host a ball in order to find their son a suitable bride, an idea he strongly protests because he would rather marry for love. Pertarungan tinju perwakilan dari Indonesia seperti Daud Yordan, Ongen Saknosiwi, dan lainnya (bersama iNews dan web- app Vision+ serta RCTI+) [20] Describing the project as both a major opportunity and responsibility, Alexander acknowledged that Cinderella's failure to succeed could potentially jeopardize the future of musical films altogether. "[16] Similar to the film, the stage adaptation has consistently demonstrated color-blind casting. [45] These segments were again interpolated with excerpts from the 1957 version. [16] In a conscious decision to update the fairy tale for a modern generation, Freedman sought to deconstruct the messages young girls and boys were subjected to in previous versions of the fairy tale, explaining, "We didn't want the message to be 'just wait to be rescued",[38] and thus altered the story to "reflect current ideas about what we should be teaching children. All of these elements make watching or re-watching the film incredible, but a deeper look reveals a main reason why it was enchanting to begin with: The whole film is refreshingly diverse. "[69] The costume department originally created fake jewelry for Goldberg's character, which consisted of rhinestones for her to wear during the film's ballroom and wedding sequences. 'Cinderella' becomes the servant of the house. [49] Although well-received by audiences,[27] Cinderella premiered to generally mixed reviews from most critics,[89][98][99][100] who were critical of some of its songs, cast and feminist approach,[34][41] at times deeming it inferior to the 1957 and 1965 versions. makes preparations for her two daughters to attend in the hope the Prince may choose one of them to be his. [12] The New York Daily News journalist Denene Millner observed that although the remake is "not all that different from the original", its version of Cinderella is more outspoken, the prince is more interested in finding someone he can talk to as opposed to simply "another pretty face", as well as "a hip fairy godmother who preaches self-empowerment" as a result of its "'90s flair". "[16] Executive producer Debra Martin Chase explained that, despite enjoying Warren's performance as Cinderella, she and Houston "realized we never saw a person of color playing Cinderella", explaining, "To have a black Cinderella is just something. [101] Similarly, Martha Tesema wrote in an article for Mashable that "seeing Brandy as Cinderella on screen was groundbreaking" having "grown up in a time where future Disney characters like Tiana did not exist and the reason why didn't cross my minduntil this Cinderella. [17] The casting directors recruited performers from various entertainment facets, spanning the Broadway, television, film and music industries. Disney's 1997 adaptation of Rodgers and Hammerstein's Cinderella was a dream come true for executive producer Whitney Houston (originally tapped to play Cindy herself) and for Black girls . [55] Although its original melody is retained, the music producers adapted the waltz into a "frenetic Latin-tinged number in duple meter" more suitable for the conniving character. Critical reception towards the film has improved over time, with several media publications ranking it among the best film adaptations of the fairy tale.
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